signed ‘F. Roubaud’ (lower left) oil on canvas 101.5 x 163 cm Literature: ‘Franz Roubaud 1856 - 1928. Catalogue Raisonné - Franz Roubaud. Scientific Catalogue’. Eckart Lingenauber/ Olga Sugrobova-Roth; Ed. Köln. Van Ham Art Publications. 2012, no. 182

oil on cardboard on canvas signed in Cyrillic 'I. Levitan' (lower left); inscribed and signed 'Savvinskaya Sloboda Zvenigorod 1883/Alexei Konstantinovich Korovin/ Paris 1928 23 février' (on the reverse) 27 х 32 cm Provenance: From a collection of Alexei Konstantinovich Korovin (owner's insciption on the reverse)

signed ‘Leon Zeytline’ (lower right) oil on canvas х cm

signed and numbered ‘Richard Orlinski PU N 1/1’ resin H. 70 cm unique piece Certificate of authenticity signed by the artist from 12/07/2018

signed ‘Mane Katz’ (lower right) oil on canvas 35.5 x 25 cm

numbered in pencil 186/250 (lower left). Edition 1970 Le cercle de l'art et Salinas lithograph in colours 64.6 x 49 cm Provenance: Private American collection

bronze sculpture on marble base stamped with signature ‘Degas’, bearing stamp ‘A.A.HÉBRARD' (on the top of the base) The present sculpture is a later copy of a cast by A.A.Hebrard H. 32.7, L. 58 cm, base 15 x 15 cm

series of 22 drawings each signed and dated '7-2007 FBBruly' (on the reverse); titled in ballpoint pen (around the margins) coloured pencil, ballpoint pen on paper 17 x 12 cm (each) executed in July, 2007

Signed and dated ‘Alexandre Benois 1919’ (lower left) gouache, watercolour and ink on paper 36 x 64.5 cm executed in the 1920s 'Tsarevich Alexei' was a historical drama based on the novel by Russian Symbolist author Dmitry Merezhkovsky (1865-1941). Benois designed the costumes and décor for the production which was staged in Petrograd at the Bolshoi Drama Theater in 1920.

signed in Cyrillic ‘N Roerich’ (lower right) tempera and ink on paper 31.8 х 18.4 cm Provenance: Collection of the Roerich Museum, New York, 1923- 1935 Collection of Nettie and Louis Horch, from 1935 Shapiro Auctions New York Private collection Literature: Exhibition catalogue ‘The Nicholas Roerich Exhibition’, 1920-21-22, N61 Exhibited: Soyuz, Petrograd, 1910

signed 'Ziem' (lower right) oil on canvas 35.6 x 66 cm Literature : Catalogue raisonné by Pierre Miquel, number 405 ⊕ This lot is under temporary importation and is subject to import tax (5.5%) (EU) and administrative customs broker fees.

signed ‘Bakst’ (lower right), inscribed ‘Sheheresade Jane Marnac’ (upper right) watercolour and pencil, heightened with silver paint on paper 45.7 х 32.4 cm

signed and titled in Cyrillic, numbered and dated 'N9 Lentulov Crimson Sunset 10' (on the reverse) watercolour and graphite on paper 23 x 34 cm Executed in 1910 Provenance: Collection of Solomon Shuster; Sotheby's London, The Russian Sale, 31 May 2001, lot 113; Private collection; Sotheby's London, The Russian Sale, 06 June 2007, lot 67; Acquired at the above sale by the present owner. Exhibited: ‘Aristarkh Vasilievich Lentulov’, Moscow, 1968 Literature: Exhibition catalogue ‘Aristarkh Lentulov’, Moscow, 1968, p. 44 listed as Bagrovyi zakat, Moskva under works from 1910; M.Lentulova, Khudozhnik Aristarkh Lentulov, Moscow: Sovetskii khudozhnik, 1969, p.136, listed under works from 1910

singed in Cyrillic later 'P Levchenko' (lower left) oil on board 22 x 30.5 cm Provenance: Dr Fischer Kunstauktionen, Russian Art and Icons, 13.11.2014, lot 401 Private collection

signed with the artist's cipher and dated ‘1924’ (lower right) oil on panel 60.5 x 35 cm executed in 1924 An apsaras or apsara is a member of a class of celestial beings in Hindu and Buddhist culture. They are originally a type of female spirit of the clouds and waters, who later plays the role of a ‘nymph’ or ‘fairy’.

each signed ‘Mucha / 98’ lithograph in colours each 55.9 х 34.3 cm (each) with modern frames Produced at the height of Mucha's fame in 1898, this series was printed on vellum in an edition of 1000 copies, with an additional 50 limited edition copies printed on satin.

Marks: silversmith hallmarks 'Drugov et Co' and '4A' for 4th Artel of Moscow, silver hallmark 'Female head in kokoshnik facing right and 84' (1908 - 1917) Stones: lapis lazuli, rose quartz, garnet, rock crystal, jade, malachite, amethyst, citrine, etc. total weight of silver and stones support: circa 2.118 gr total height 30 cm, height of the crystal vase 21 cm, width circa 40 cm circa 1908 – 1917 The silver support was made by the 4th Artel of Moscow (goldsmith's workshop) for Vladimir Drugov who was Carl Fabergé's representative in Kiev and Odessa

Reference: 16523 Number: 117525 Dial: gold Mouvement: Chronograph Zenith el Primero Glass: sapphire Calibre: 4030 Condition: good and working Full set: original box, guarantee, certificate, calendar Weight: 132 gr

18K gold dome-shaped ring set with navette-shaped natural colour sapphires weighing approximately 30 ct and central brilliant-cut diamond weighing approximately 0.90 ct, H VS1, and surrounding diamonds weighing approximately 0.15 ct. Marked: ‘18K’, ‘750’, numbered Size: 56 Gross weight: 34.57 gr.

signed in plate ‘HT Lautrec’ lithograph coloured with crayon printed by Edward Ancourt, Paris. 78.7 х 61 cm

H. 26.7 cm, D. 6.8 cm

Patent signed ‘Etoile Patent Nr. 79717 Argent et Or 8288’ on underside 6 x 2.5 x 2.2 cm

Weight: 86 gr 4.3 x 3. Cm Accompanied by its case

- Part 1. 224 p.; Part 2. 176 p. Edition of 1,200 Two period bindings in full leather with gold ornamental embossing on the spine and both covers, endpapers with gold-stamped border, triple gilt edges. An owner's signature by E. Pavlova on the second flyleaf The first edition of the poet's collected poems. The edition was planned in four parts. By that time, there were only enough completed poems for the first two parts, which were published one after another in May and June of 1829. The third part was published in 1832, and the final, fourth part in September 1835. The release of the first two parts of Pushkin's collection of poems was praised by the contemporary press but did not reach Pushkin either in Moscow or St. Petersburg. On May 1st, the poet left for the Caucasus without seeking permission from the government and stayed there until autumn. Bibliography: Sm.-Sok. No. 1007; Sm.-Sok. Pushkin. No. 20; Rozanov No. 1371.

- [15] p., 1 p. portrait: ill.; 24x17 cm. Edition of 300 copies. Publisher's cover by V. Mayakovsky. Lithographic edition from a handwritten text. Portrait of the author by L. Zhegin (Shekhtel). Illustrations in the text by V. Chekrygin and L. Shekhtel. Restoration of pages. The poet's first book. A great rarity. Author's edition. The portrait of Mayakovsky in a wide-brimmed hat was created by Shekhtel (Zhegin). The lithographed text was written by V.N. Chekrygin. The preparation of the collection took two weeks, and at the end of May 1913, it was printed at the "Little Lithography near the Nikolskiye Vorota" - the lithography of Mukharsky. Vladimir Vladimirovich Mayakovsky (1893-1930) was a Russian and Soviet poet, playwright, screenwriter, film director, film actor, and artist. He is one of the most significant Russian poets of the 20th century and a classic of Soviet literature. He was also the editor of the journals "LEF" and "Novy LEF." Bibliography: Lesman, No. 1465; Tarasenkov, p. 439; Rozanov, No. 3339; Okhlopkov, p. 118.

signed in Cyrillic ‘M Larionov’ (lower right) pastel on paper 37 x 26 cm (à vue)

signed and inscribed ‘C. Korovine. Russie’ (lower left) oil on board 41.9 x 49.5 cm ⊕ This lot is under temporary importation and is subject to import tax (5.5%) (EU) and administrative customs broker fees.

Paperback. 36 x 26 cm. Illustrated cover, 52 pages including 15 text pages and 25 illustrations (most of the illustrations are laminated). Edition 1.500 copies. Illustrations by FORAIN, VERTÈS, SEM, KEES VAN DONGEN, CAPPIELLO, Raoul DUFY, Sacha GUITRY, VUILLARD, PASCIN and Marie LAURENCIN.

stamped ‘Vivienne 20th century studios’ on reverse (Mrs Florence Entwhistle, signed ‘Winston S. Churchill’ and photographer “Vivienne. London” on the lower margin of mount photographer’s stamp on reverse Presented in a folder with protective foil Dimensions : 32,5 x 25 cm Image size: 23 x 18,5 cm

№ 14 S.[aint]-P.[etersburg]. Thursday 14/26 Jan. 1871 at 2.¼ pm. Friday 15/27 Jan. 1871. at 11 ½ hours. in French and Russian

1 pp. bi-folio in-4. In English. Very rare letter from Admiral Nelson to the diplomat Fitzherbert Baron St-Helens, British Ambassador to the Imperial Court of Russia in St. Petersburg, concerning the negotiations about the island of St Helena.

signed in Cyrillic ‘Balerina / Avtor Yanson Manizer / Lenizo’ (at the base) bronze, patina H. 41 cm executed circa 1938 Elena Yanson-Manizer was the 20th century's leading sculptor of the Soviet ballet. She was a wife of Soviet sculptor Matvey Manizer.

signed in Cyrillic ‘A Bogolubov’ (lower right) oil on canvas 18 x 35.5 cm

screen: 170 x 49.8 cm (each leaf) 3 large crystal panels: 45 x 14.5 cm (each); 6 panels with grape motif: 10.5 x 14.5 cm (each) The three Art Deco crystal panels (Woman with arms raised, Pipe player, Woman with head raised) were created by René Lalique in 1928 to decorate the carriages of the famous Orient Express train which took passengers from Paris to the shores of the Bosphorus.

signed and dated (on reverse), titled around the margins ballpoint pen, coloured pencil, pencil on cardboard dimensions of each sheet: 19 x 15 cm Executed in 2006

signed with initials (lower right), label of Max Protetch Gallery (on reverse) screenprints with handcolouring Edition of 250, series of 10 103.2 × 69.2 cm

oil on panel 212 x 193 cm Accompanied by two wooden stands with wheels Provenance: Estate of the artist Descendants of the Benois family Acquired from the above by the present owner

signed in Cyrillic ‘T. Slepyshev’ (lower left), numbered ‘no. 140’ (on the reverse) oil on canvas 80 x 95.5 cm painted in 1993

Provenance: Private wine cellar from a Villa in the South of France. (preserved in the cellar with regulated hydrometry and temperature)

Original Case, Base Neck Provenance: Private wine cellar from a Villa in the South of France (preserved in the cellar with regulated hydrometry and temperature)

base goulot Base Neck Label Artist: RICHARD LIPPOLD (1915-2002) Provenance: Private wine cellar from a Villa in the South of France. (preserved in the cellar with regulated hydrometry and temperature)

Label: LE BÉLIER D’AUGSBOURG For the year 2000, exceptionally, Provenance: Private wine cellar from a Villa in the South of France. (preserved in the cellar with regulated hydrometry and temperature)

signed by the artist in black marker pen (lower center) marker drawing on paper 21.7 x 28.8 cm

signed ‘TETARD PARIS’, silver mark: Minerva facing right, goldsmith’s hallmark: cooking pot with letters ‘TFres’ silver, ebony wood handles (?) Condition: very good, some signs of wear on the handles

Yellow gold ribbon-shaped brooch set with one central diamond weighing approx. 4.5ct and a total of approx. 14ct of diamond surround (56 diamonds) Dimensions: 5 x7.5 cm approx. Weight : 25 gr

Signed ‘Boucheron Paris’, inscribed ‘Calvados’ Numbered: 9555 Weight: 8 gr

signed "Schmarov" (upper right) oil on canvas 62 x 75 cm painted circa. 1949 Provenance: from a collection of Joël Garcia.

Signed ‘Chmaroff’ (lower right) oil on canvas 60 x 81 cm

Provenance: Descendants of the Benois family Acquired from the above by the present owner

signed in Сyrillic ‘T Slepyshev’ and dated ‘94’ (lower right); inscribed in Сyrillic ‘N 32 autumn’ (along lower edge) oil on canvas 200 x 140 cm painted in 1994

signed ‘Vera Rockline’ (lower right) oil on canvas 100,5 x 81.5 cm Provenance: Galerie Makassar-France, Paris. Acquired from the above by the previous owner in 1991. Christie’s Paris, Art Impressionniste et Moderne, 14.06.2010, lot 115. Private collection, Europe

signed and dated ‘A Barre Fct 1837’, titled ‘Fanny Elssler’, and inscribed ‘L Richard Eck et Durand Fdeur Fcant’ (on the top of the base) Bronze, patina H. 44 cm

Inscription: ‘Rosenthal’/ ‘Versace Jungle’ (on the underside)

mark: two crossed swords used from 1934 to 1971 (on the underside)

18th century stamped 'F.L.' for François Lieutaud (?) François Lieutaud (Marseille 1665 - Paris 1748), cabinet maker of the King - Master at the end of the 17th century wood, gilt-bronze, marble height 82 x 116 x 56 cm Condition: circa 2 cm chip on the marble top, some cracks on the side and on one drawer

18th century stamped 'F.F.' for François Fleury (?) The initials 'F.F.' are attributed to François FLEURY, a Parisian master cabinetmaker from the middle of the 18th century, who worked in the former workshop of his brother Adrien in rue Traversières until the beginning of the reign of Louis XVI. wood, gilt-bronze, marble height 80 x 131 x 60 cm

labels ‘BELL TABLE/ by Sebastian Herkner/Serial Nr 0697/2014/ClassiCon’ and ‘BELL TABLE/ by Sebastian Herkner/Serial Nr 1847/2013/ClassiCon’; engraved ‘ClassiCon/handmade in Germany’ (on the underside) height 52.2 cm, diameter 50 cm

End of 19th century Weight: 69 gr 7.6 x 5.3 x 1 cm

Chestnut and unpeeled chestnut 150 x 35 x 90cm Provenance: Private collection, South of France Authenticity confirmed by the artist’s studio

Signed Pomellato Weight: 217 gr Length: 80 cm

each signed in plate ‘Elisabeth Sonrel’ and titled lithographs in colours image: 58 x 27 cm Printed in 1901.

signed in plate ‘Mucha’ (lower right) lithograph in colours printed by Imprimerie Chaix image: 27 x 20 cm

signed on the reverse oil on canvas 53 x 42 cm Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 57

AU 62.6 g. 50 mm Ref : Diakov - (cf 231.1 Ar) XF

signed in Cyrillic ‘Chepik S’ (lower left) pastel on paper 59 x 59 cm

colourless crystal, chrome finish H 91.70 cm x W 49.90 cm x D 2.60 cm; crystal friezes 19.5 x 47 cm (each) weight - 55.12 kg The «Causeuses» motif, depicting young girls with graceful bodies sculpted in satin-finish crystal, was created in 1991 by Marie-Claude Lalique and reintroduced by Lalique in 2004 for decorative panels.

colourless crystal H 69.50 x 114 x 60 cm; table top 130 x 65 cm This model was created in 1987 by Marie-Claude Lalique

colourless crystal Dimensions: 71 x 114 cm; table top diameter: 120 cm The original design was created by Marc Lalique in 1951

inscription: Hermès Porcelaine Limoges/made in France (on the bottom); inscription: “Toucans“ original design created in our workshops (on the underside).

signed ‘Christofle’ under goldsmith’s hallmark since 1935 and, ‘France’ under quality mark ‘IOC’ since 1983.

signed ‘M LE VERRIER’ (on the base) bronze, marble H. 51 cm, base H. 9.5 x 12.5 x12.5 cm.

Signed ‘Cartier Made in France and numbered 4861 Maker’s mark: Cartier S.A. French assay mark: eagle’s head for 18k.

signed in plate ‘Mucha’ (lower left) lithograph in colours printed by Imprimerie Chaix, Paris 40 x 29 cm Executed in 1896

dated '20-3-65' (lower left) watercolour on paper 51 x 36 cm Executed in 1965

dated '20-3-65' (lower right) watercolour on paper 51 x 36 cm Executed in 1965

signed in Farsi and English ‘JAZEH TABATABAI’ (lower right) gouache on paper 48 x 35 cm

signed and dated ‘Rodgers ‘03’ (lower right) oil on canvas 157.5 x 167.6 cm Painted in 2003

Decorated with a scene from classical mythology Marks: Paris, 18th century Dimensions: 9.5 x 5 cm Weight: 101 gr

Marks: Paris, 1775-1781, Nicolas Marguerite Length: 9 cm Weight: 137 gr

Yellow gold necklace with one carved portrait ruby and cabochon emeralds surrounded by brilliant-cut and baguette-cut diamonds Signed Bvlgari

signed 'le matin…. Pâques 12 IV 1936' (lower right) watercolour and pencil on paper 31 х 46.8 cm The present watercolour features a stage design for Les Noces de Psyche et de l’Amour by A.Benois in the background

signed and dated in ink ‘Alexandre Benois 1927’ (lower right), inscribed along the lower edge ‘Boris Chaliapin’, numed and dated in pencil ‘9 VIII 1927 12h’, inscribed in Cyrillic (on reverse) watercolour and pencil on paper 30 x 45 cm

signed in Cyrillic ‘I. Levitan’ (lower right) oil on cardboard 31.5 х 24.5 cm late 19th-early 20th century

signed in Cyrillic and dated ‘1879’ (lower right) oil on canvas 29 x 19 cm painted in 1879.

Signed in Cyrillic ‘P. Korovin’ Oil on canvas 47 x 68 cm Stamp on the reverse of the doctor of A. Chekhov, who was present at his death and ceremonially poured "death champagne" on him.

Copper, cast, embossed, silver-plated, bone Hallmarks: maker’s mark in Cyrillic ‘Pets’ (under double-headed eagle) H. 59 cm, W. 38.5 cm, D. 29 cm

8 с. (2 double leaves); 19.7x12.5 cm; 18x11.3 cm. Paper with the monogram «N.A.» under the imperial crown.

Rudolf Nureyev personal belongings of Rudolf Nureyev and his immediate circle from the collection of his closest friend Douce François

enameled acid-etched glass underside inscribed ‘Cristallerie E. Gallé Nancy modèle et décor deposés’, silver mark on the lid. 18 cm Executed circa 1900

signed on the bronze pant ‘S. Lipchytz’ bronze triple patina, base in Portor marble 43 cm Executed circa 1920

signed ‘Cosntant. Korovine Russie’ oil on board 31 x 39.5 cm

signed ‘C. Korovine’ (lower right) oil on board 31 x 39 cm

signed and dated ‘Boris Anisfeld 1917’ (lower right) tempera and charcoal on paper laid on board numerous labels on the reverse 35 x 92 cm

signed and dated ‘Bakst 1912’ (lower right), (several stamps and labels on the reverse) gouache, pencil heightened with gold on paper 27 x 13.5 cm

signed in cyrillic ‘Т Слепышев‘ (upper right), signed again with initials and numbered ‘С N115’ (on reverse) oil on canvas 80 x 100 cm painted in 1993

Wood, gesso, gold leaf, tempera 35.5 x 30.5 cm

Russian Empire, Warsaw, 1908-1917 Total weight: 7930gr

(54 книги)

Inscription in Russian, signed by E. Khaldei (on the reverse) Gelatin silver print Mid-20th century print 29 x 23 cm

Signed in plate (lower right) Lithograph in colours Proof before letters, A+ 66.5 x 27.3 cm

Signed ‘Elie Pavil’ (lower right) Oil on canvas 39 x 46 cm

Signed, bearing the foundry seal, numbered 1782 Gilt-bronze table lamp H: 47.5 cm, L: 23.5 cm

81 x 62 x 55 cm Probably 1960s

Signed Cartier Paris, numbered M7178. French 18K hallmarks. Weight: 64 gr

Tamara Karsavina in a costume for the Mikhail Fokine’s ballet ‘Le Spectre de la Rose’ Signed ‘Jean Cocteau’ (lower right) Poster printed by Eugène Verneau and Henri Chachoin, Paris 90 x 56,5 cm

Ducatus Pomeraniae Citerioris et Ulterioris. Principatibus, Comitatibus urbibus suis definitae Nova et Ampla Descriptio geographica. Augsburg, c. 1760. 98 x 167.5 cm

Sculpture in colorless blown Murano glass with inclusions of golden spangles, the hitch in golden brass.

Gouache on paper 48 x 60 cm

oil on canvas 50 x 64 cm

Central Russia, late XIX century Wood, gold leaf, oil 107 X 55 cm

Description of the sacred coronation of their Imperial Majesties, the Emperor Alexander III and the Empress Maria Feodorovna of all Russia. St. Petersburg: cartographic institution of A. Ilyin, [1883]

Coronation collection dedicated to the coronation of His Imperial Majesty Tsar Nicholas II]: [in 2 vols.]. St. Petersburg: Expedition of preparation of state papers, 1899. [Vol. 1.] - XXXI, 396 p., 60 p. ill.; 45x33,4 cm.

On the occasion of the centenary of Her Majesty the Empress Maria Feodorovna’s cavalry regiment; comp. under the editorship of S. Panchulidzev

Archival pigment print mounted on an aluminum plate Later print, after 1998. 69 x 71 cm.

Oil on canvas 50 х 40 cm

Oil on board 40,6 x 26,8 cm Executed in 1925

The chronicle and face collection of the house of Romanov: historical and artistic publication in commemoration of the 300th anniversary of the reign: 1613-1913

Rare photograph 21 x 56 cm

Tsarskoe Selo during the reign of the empresse Elisabeth Petrovna. Saint-Petersburg, R. Golike and A. Wilborg, 1910.

Oil on canvas 46 x 55 cm

Depicted half length, wearing military regalia and a cape

Magazine cutout, signed and dated “A. Einstein 54” Very rare.

Palace in the background. Signed and dated «1881» Oil on canvas 153 х 112 cm

Oil on canvas 140 x 100 cm

Gouache, touche, pencil. 49 x 22,4 cm

Oil on canvas laid on board 51 x 61 cm

75 x 43 x 43 cm With the label Rue Sribe, serial number 113123

201, AU 7,48 g

Moscow maker, late 17th century.

Oil on canvas 53 x 84 cm

Oil on canvas, 81 x 65 cm Exhibited: Tretyakov Gallery, Zolotoe Rouno, La Toison d’or, Moscow, 1908

Gouache, touche, pencil, gold and mixed Media on paper laid on cardboard 49 x 22,4 cm

delivered by the General Consul of Paris in December 1966.

Sketch of theatrical decoration for the ballet «Petrouchka». Paper, watercolor, gouache, ink, pen 21.5 x 30.5 cm

UK hallmarks. Numbered. Height 12 cm. Key and original case.

Oil on canvas 73 x 60 cm

Oil on canvas 75 x 63,2 cm

Signed on the dial, numbered. Model designed in 1917 and commercialised in 1919. Original fitted Cartier case

with the personal bookplate of Sergei Lifar.

Otsuki, Gentaku, and Hiroyuki Shimura: [Japanese Manuscript]:[Japan]. 1807 Extraordinary tale of Japanese shipwrecked sailors and their journey from 1792 to 1804

Signed ‘M. Lindenau’ (lower left) Oil on canvas 73 x 92 cm

Signed (lower right) Pastel on paper mounted on canvas 53.5 x 64.8 cm

Signed ‘C. Venard’ (lower right) Oil on canvas 51 x 78 inches