14k yellow gold bracelet set with cabochon sapphire weighing approximately 1.5 ct. and old cut diamonds weighing approximately 2.4 ct.

plaster, unsigned, model 1898 H.: 50 cm, W.: 20 cm.

A pair of Cartier COLISÉE earrings in yellow gold set with diamonds weighing approximately 2.2 cts total With its original Cartier pouch

signed ‘Burliuk’ (lower right), stamp in black ink ‘Burliuk Gallery / Hampton Bay / New York’ on the stretcher oil on canvas 55 x 69 cm

18k white gold ring set with diamonds weighting approximately 1.50 ct. with document from ‘Cartier’ boutique

signed 'S. Voroshilov' (lower right) Oil on canvas. 62 X 101 cm

Cup: period of Alexander II; saucer: period of Nicholas II Design by I.A. Monigetti, circa 1870s

signed in Cyrillic 'F. Sychkov' (lower right) oil on canvas 54 x 36 cm Fedot Vasilyevich Sychkov was a talented and original artist and painter of the countryside

Signed ‘C. Venard’ (lower right) Oil on canvas 51 x 78 inches

Signed (lower right) Pastel on paper mounted on canvas 53.5 x 64.8 cm

Signed ‘M. Lindenau’ (lower left) Oil on canvas 73 x 92 cm

Otsuki, Gentaku, and Hiroyuki Shimura: [Japanese Manuscript]:[Japan]. 1807 Extraordinary tale of Japanese shipwrecked sailors and their journey from 1792 to 1804

with the personal bookplate of Sergei Lifar.

Signed on the dial, numbered. Model designed in 1917 and commercialised in 1919. Original fitted Cartier case

Oil on canvas 75 x 63,2 cm

Oil on canvas 73 x 60 cm

UK hallmarks. Numbered. Height 12 cm. Key and original case.

Sketch of theatrical decoration for the ballet «Petrouchka». Paper, watercolor, gouache, ink, pen 21.5 x 30.5 cm

delivered by the General Consul of Paris in December 1966.

Gouache, touche, pencil, gold and mixed Media on paper laid on cardboard 49 x 22,4 cm

Oil on canvas, 81 x 65 cm Exhibited: Tretyakov Gallery, Zolotoe Rouno, La Toison d’or, Moscow, 1908

Oil on canvas 53 x 84 cm

Moscow maker, late 17th century.

201, AU 7,48 g

75 x 43 x 43 cm With the label Rue Sribe, serial number 113123

Oil on canvas laid on board 51 x 61 cm

Gouache, touche, pencil. 49 x 22,4 cm

Oil on canvas 140 x 100 cm

Palace in the background. Signed and dated «1881» Oil on canvas 153 х 112 cm

Magazine cutout, signed and dated “A. Einstein 54” Very rare.

Depicted half length, wearing military regalia and a cape

Oil on canvas 46 x 55 cm

Tsarskoe Selo during the reign of the empresse Elisabeth Petrovna. Saint-Petersburg, R. Golike and A. Wilborg, 1910.

Rare photograph 21 x 56 cm

The chronicle and face collection of the house of Romanov: historical and artistic publication in commemoration of the 300th anniversary of the reign: 1613-1913

Oil on board 40,6 x 26,8 cm Executed in 1925

Oil on canvas 50 х 40 cm

Archival pigment print mounted on an aluminum plate Later print, after 1998. 69 x 71 cm.

On the occasion of the centenary of Her Majesty the Empress Maria Feodorovna’s cavalry regiment; comp. under the editorship of S. Panchulidzev

Coronation collection dedicated to the coronation of His Imperial Majesty Tsar Nicholas II]: [in 2 vols.]. St. Petersburg: Expedition of preparation of state papers, 1899. [Vol. 1.] - XXXI, 396 p., 60 p. ill.; 45x33,4 cm.

Description of the sacred coronation of their Imperial Majesties, the Emperor Alexander III and the Empress Maria Feodorovna of all Russia. St. Petersburg: cartographic institution of A. Ilyin, [1883]

Central Russia, late XIX century Wood, gold leaf, oil 107 X 55 cm

oil on canvas 50 x 64 cm

Gouache on paper 48 x 60 cm

Sculpture in colorless blown Murano glass with inclusions of golden spangles, the hitch in golden brass.

Ducatus Pomeraniae Citerioris et Ulterioris. Principatibus, Comitatibus urbibus suis definitae Nova et Ampla Descriptio geographica. Augsburg, c. 1760. 98 x 167.5 cm

Tamara Karsavina in a costume for the Mikhail Fokine’s ballet ‘Le Spectre de la Rose’ Signed ‘Jean Cocteau’ (lower right) Poster printed by Eugène Verneau and Henri Chachoin, Paris 90 x 56,5 cm

Signed Cartier Paris, numbered M7178. French 18K hallmarks. Weight: 64 gr

81 x 62 x 55 cm Probably 1960s

Signed, bearing the foundry seal, numbered 1782 Gilt-bronze table lamp H: 47.5 cm, L: 23.5 cm

Signed ‘Elie Pavil’ (lower right) Oil on canvas 39 x 46 cm

Signed in plate (lower right) Lithograph in colours Proof before letters, A+ 66.5 x 27.3 cm

Inscription in Russian, signed by E. Khaldei (on the reverse) Gelatin silver print Mid-20th century print 29 x 23 cm

(54 книги)

Russian Empire, Warsaw, 1908-1917 Total weight: 7930gr

Wood, gesso, gold leaf, tempera 35.5 x 30.5 cm

signed in cyrillic ‘Т Слепышев‘ (upper right), signed again with initials and numbered ‘С N115’ (on reverse) oil on canvas 80 x 100 cm painted in 1993

signed and dated ‘Bakst 1912’ (lower right), (several stamps and labels on the reverse) gouache, pencil heightened with gold on paper 27 x 13.5 cm

signed and dated ‘Boris Anisfeld 1917’ (lower right) tempera and charcoal on paper laid on board numerous labels on the reverse 35 x 92 cm

signed ‘C. Korovine’ (lower right) oil on board 31 x 39 cm

signed ‘Cosntant. Korovine Russie’ oil on board 31 x 39.5 cm

signed on the bronze pant ‘S. Lipchytz’ bronze triple patina, base in Portor marble 43 cm Executed circa 1920

enameled acid-etched glass underside inscribed ‘Cristallerie E. Gallé Nancy modèle et décor deposés’, silver mark on the lid. 18 cm Executed circa 1900

Rudolf Nureyev personal belongings of Rudolf Nureyev and his immediate circle from the collection of his closest friend Douce François

8 с. (2 double leaves); 19.7x12.5 cm; 18x11.3 cm. Paper with the monogram «N.A.» under the imperial crown.

Copper, cast, embossed, silver-plated, bone Hallmarks: maker’s mark in Cyrillic ‘Pets’ (under double-headed eagle) H. 59 cm, W. 38.5 cm, D. 29 cm

Signed in Cyrillic ‘P. Korovin’ Oil on canvas 47 x 68 cm Stamp on the reverse of the doctor of A. Chekhov, who was present at his death and ceremonially poured "death champagne" on him.

signed in Cyrillic and dated ‘1879’ (lower right) oil on canvas 29 x 19 cm painted in 1879.

signed in Cyrillic ‘I. Levitan’ (lower right) oil on cardboard 31.5 х 24.5 cm late 19th-early 20th century

signed and dated in ink ‘Alexandre Benois 1927’ (lower right), inscribed along the lower edge ‘Boris Chaliapin’, numed and dated in pencil ‘9 VIII 1927 12h’, inscribed in Cyrillic (on reverse) watercolour and pencil on paper 30 x 45 cm

signed 'le matin…. Pâques 12 IV 1936' (lower right) watercolour and pencil on paper 31 х 46.8 cm The present watercolour features a stage design for Les Noces de Psyche et de l’Amour by A.Benois in the background

Yellow gold necklace with one carved portrait ruby and cabochon emeralds surrounded by brilliant-cut and baguette-cut diamonds Signed Bvlgari

Marks: Paris, 1775-1781, Nicolas Marguerite Length: 9 cm Weight: 137 gr

Decorated with a scene from classical mythology Marks: Paris, 18th century Dimensions: 9.5 x 5 cm Weight: 101 gr

signed and dated ‘Rodgers ‘03’ (lower right) oil on canvas 157.5 x 167.6 cm Painted in 2003

signed in Farsi and English ‘JAZEH TABATABAI’ (lower right) gouache on paper 48 x 35 cm

dated '20-3-65' (lower right) watercolour on paper 51 x 36 cm Executed in 1965

dated '20-3-65' (lower left) watercolour on paper 51 x 36 cm Executed in 1965

signed in plate ‘Mucha’ (lower left) lithograph in colours printed by Imprimerie Chaix, Paris 40 x 29 cm Executed in 1896

Signed ‘Cartier Made in France and numbered 4861 Maker’s mark: Cartier S.A. French assay mark: eagle’s head for 18k.

signed ‘M LE VERRIER’ (on the base) bronze, marble H. 51 cm, base H. 9.5 x 12.5 x12.5 cm.

signed ‘Christofle’ under goldsmith’s hallmark since 1935 and, ‘France’ under quality mark ‘IOC’ since 1983.

inscription: Hermès Porcelaine Limoges/made in France (on the bottom); inscription: “Toucans“ original design created in our workshops (on the underside).

colourless crystal Dimensions: 71 x 114 cm; table top diameter: 120 cm The original design was created by Marc Lalique in 1951

colourless crystal H 69.50 x 114 x 60 cm; table top 130 x 65 cm This model was created in 1987 by Marie-Claude Lalique

colourless crystal, chrome finish H 91.70 cm x W 49.90 cm x D 2.60 cm; crystal friezes 19.5 x 47 cm (each) weight - 55.12 kg The «Causeuses» motif, depicting young girls with graceful bodies sculpted in satin-finish crystal, was created in 1991 by Marie-Claude Lalique and reintroduced by Lalique in 2004 for decorative panels.

signed in Cyrillic ‘Chepik S’ (lower left) pastel on paper 59 x 59 cm

AU 62.6 g. 50 mm Ref : Diakov - (cf 231.1 Ar) XF

signed on the reverse oil on canvas 53 x 42 cm Literature: Curated by E. Serri, Nikolay Karakhan, Works from 1920 to 1969, 2014. Illustrated p. 57

signed in plate ‘Mucha’ (lower right) lithograph in colours printed by Imprimerie Chaix image: 27 x 20 cm

each signed in plate ‘Elisabeth Sonrel’ and titled lithographs in colours image: 58 x 27 cm Printed in 1901.

Signed Pomellato Weight: 217 gr Length: 80 cm

Chestnut and unpeeled chestnut 150 x 35 x 90cm Provenance: Private collection, South of France Authenticity confirmed by the artist’s studio

End of 19th century Weight: 69 gr 7.6 x 5.3 x 1 cm

labels ‘BELL TABLE/ by Sebastian Herkner/Serial Nr 0697/2014/ClassiCon’ and ‘BELL TABLE/ by Sebastian Herkner/Serial Nr 1847/2013/ClassiCon’; engraved ‘ClassiCon/handmade in Germany’ (on the underside) height 52.2 cm, diameter 50 cm

18th century stamped 'F.F.' for François Fleury (?) The initials 'F.F.' are attributed to François FLEURY, a Parisian master cabinetmaker from the middle of the 18th century, who worked in the former workshop of his brother Adrien in rue Traversières until the beginning of the reign of Louis XVI. wood, gilt-bronze, marble height 80 x 131 x 60 cm

18th century stamped 'F.L.' for François Lieutaud (?) François Lieutaud (Marseille 1665 - Paris 1748), cabinet maker of the King - Master at the end of the 17th century wood, gilt-bronze, marble height 82 x 116 x 56 cm Condition: circa 2 cm chip on the marble top, some cracks on the side and on one drawer

mark: two crossed swords used from 1934 to 1971 (on the underside)

Inscription: ‘Rosenthal’/ ‘Versace Jungle’ (on the underside)

signed and dated ‘A Barre Fct 1837’, titled ‘Fanny Elssler’, and inscribed ‘L Richard Eck et Durand Fdeur Fcant’ (on the top of the base) Bronze, patina H. 44 cm

signed ‘Vera Rockline’ (lower right) oil on canvas 100,5 x 81.5 cm Provenance: Galerie Makassar-France, Paris. Acquired from the above by the previous owner in 1991. Christie’s Paris, Art Impressionniste et Moderne, 14.06.2010, lot 115. Private collection, Europe

signed in Сyrillic ‘T Slepyshev’ and dated ‘94’ (lower right); inscribed in Сyrillic ‘N 32 autumn’ (along lower edge) oil on canvas 200 x 140 cm painted in 1994

Provenance: Descendants of the Benois family Acquired from the above by the present owner

Signed ‘Chmaroff’ (lower right) oil on canvas 60 x 81 cm

signed "Schmarov" (upper right) oil on canvas 62 x 75 cm painted circa. 1949 Provenance: from a collection of Joël Garcia.

Signed ‘Boucheron Paris’, inscribed ‘Calvados’ Numbered: 9555 Weight: 8 gr

Yellow gold ribbon-shaped brooch set with one central diamond weighing approx. 4.5ct and a total of approx. 14ct of diamond surround (56 diamonds) Dimensions: 5 x7.5 cm approx. Weight : 25 gr

signed ‘TETARD PARIS’, silver mark: Minerva facing right, goldsmith’s hallmark: cooking pot with letters ‘TFres’ silver, ebony wood handles (?) Condition: very good, some signs of wear on the handles

signed by the artist in black marker pen (lower center) marker drawing on paper 21.7 x 28.8 cm

Label: LE BÉLIER D’AUGSBOURG For the year 2000, exceptionally, Provenance: Private wine cellar from a Villa in the South of France. (preserved in the cellar with regulated hydrometry and temperature)

base goulot Base Neck Label Artist: RICHARD LIPPOLD (1915-2002) Provenance: Private wine cellar from a Villa in the South of France. (preserved in the cellar with regulated hydrometry and temperature)

Original Case, Base Neck Provenance: Private wine cellar from a Villa in the South of France (preserved in the cellar with regulated hydrometry and temperature)

Provenance: Private wine cellar from a Villa in the South of France. (preserved in the cellar with regulated hydrometry and temperature)

signed in Cyrillic ‘T. Slepyshev’ (lower left), numbered ‘no. 140’ (on the reverse) oil on canvas 80 x 95.5 cm painted in 1993

oil on panel 212 x 193 cm Accompanied by two wooden stands with wheels Provenance: Estate of the artist Descendants of the Benois family Acquired from the above by the present owner

signed with initials (lower right), label of Max Protetch Gallery (on reverse) screenprints with handcolouring Edition of 250, series of 10 103.2 × 69.2 cm

signed and dated (on reverse), titled around the margins ballpoint pen, coloured pencil, pencil on cardboard dimensions of each sheet: 19 x 15 cm Executed in 2006

screen: 170 x 49.8 cm (each leaf) 3 large crystal panels: 45 x 14.5 cm (each); 6 panels with grape motif: 10.5 x 14.5 cm (each) The three Art Deco crystal panels (Woman with arms raised, Pipe player, Woman with head raised) were created by René Lalique in 1928 to decorate the carriages of the famous Orient Express train which took passengers from Paris to the shores of the Bosphorus.

signed in Cyrillic ‘A Bogolubov’ (lower right) oil on canvas 18 x 35.5 cm

signed in Cyrillic ‘Balerina / Avtor Yanson Manizer / Lenizo’ (at the base) bronze, patina H. 41 cm executed circa 1938 Elena Yanson-Manizer was the 20th century's leading sculptor of the Soviet ballet. She was a wife of Soviet sculptor Matvey Manizer.

1 pp. bi-folio in-4. In English. Very rare letter from Admiral Nelson to the diplomat Fitzherbert Baron St-Helens, British Ambassador to the Imperial Court of Russia in St. Petersburg, concerning the negotiations about the island of St Helena.

№ 14 S.[aint]-P.[etersburg]. Thursday 14/26 Jan. 1871 at 2.¼ pm. Friday 15/27 Jan. 1871. at 11 ½ hours. in French and Russian

stamped ‘Vivienne 20th century studios’ on reverse (Mrs Florence Entwhistle, signed ‘Winston S. Churchill’ and photographer “Vivienne. London” on the lower margin of mount photographer’s stamp on reverse Presented in a folder with protective foil Dimensions: 32,5 x 25 cm Image size: 23 x 18,5 cm

Paperback. 36 x 26 cm. Illustrated cover, 52 pages including 15 text pages and 25 illustrations (most of the illustrations are laminated). Edition 1.500 copies. Illustrations by FORAIN, VERTÈS, SEM, KEES VAN DONGEN, CAPPIELLO, Raoul DUFY, Sacha GUITRY, VUILLARD, PASCIN and Marie LAURENCIN.

signed and inscribed ‘C. Korovine. Russie’ (lower left) oil on board 41.9 x 49.5 cm ⊕ This lot is under temporary importation and is subject to import tax (5.5%) (EU) and administrative customs broker fees.

signed in Cyrillic ‘M Larionov’ (lower right) pastel on paper 37 x 26 cm (à vue)

- [15] p., 1 p. portrait: ill.; 24x17 cm. Edition of 300 copies. Publisher's cover by V. Mayakovsky. Lithographic edition from a handwritten text. Portrait of the author by L. Zhegin (Shekhtel). Illustrations in the text by V. Chekrygin and L. Shekhtel. Restoration of pages. The poet's first book. A great rarity. Author's edition. The portrait of Mayakovsky in a wide-brimmed hat was created by Shekhtel (Zhegin). The lithographed text was written by V.N. Chekrygin. The preparation of the collection took two weeks, and at the end of May 1913, it was printed at the "Little Lithography near the Nikolskiye Vorota" - the lithography of Mukharsky. Vladimir Vladimirovich Mayakovsky (1893-1930) was a Russian and Soviet poet, playwright, screenwriter, film director, film actor, and artist. He is one of the most significant Russian poets of the 20th century and a classic of Soviet literature. He was also the editor of the journals "LEF" and "Novy LEF." Bibliography: Lesman, No. 1465; Tarasenkov, p. 439; Rozanov, No. 3339; Okhlopkov, p. 118.

Part 1. 224 p.; Part 2. 176 p. Edition of 1,200 Two period bindings in full leather with gold ornamental embossing on the spine and both covers, endpapers with gold-stamped border, triple gilt edges. An owner's signature by E. Pavlova on the second flyleaf The first edition of the poet's collected poems. The edition was planned in four parts. By that time, there were only enough completed poems for the first two parts, which were published one after another in May and June of 1829. The third part was published in 1832, and the final, fourth part in September 1835. The release of the first two parts of Pushkin's collection of poems was praised by the contemporary press but did not reach Pushkin either in Moscow or St. Petersburg. On May 1st, the poet left for the Caucasus without seeking permission from the government and stayed there until autumn. Bibliography: Sm.-Sok. No. 1007; Sm.-Sok. Pushkin. No. 20; Rozanov No. 1371.

Weight: 86 gr 4.3 x 3. Cm Accompanied by its case

Patent signed ‘Etoile Patent Nr. 79717 Argent et Or 8288’ on underside 6 x 2.5 x 2.2 cm

H. 26.7 cm, D. 6.8 cm

signed in plate ‘HT Lautrec’ lithograph coloured with crayon printed by Edward Ancourt, Paris. 78.7 х 61 cm

18K gold dome-shaped ring set with navette-shaped natural colour sapphires weighing approximately 30 ct and central brilliant-cut diamond weighing approximately 0.90 ct, H VS1, and surrounding diamonds weighing approximately 0.15 ct. Marked: ‘18K’, ‘750’, numbered Size: 56 Gross weight: 34.57 gr.

Reference: 16523 Number: 117525 Dial: gold Mouvement: Chronograph Zenith el Primero Glass: sapphire Calibre: 4030 Condition: good and working Full set: original box, guarantee, certificate, calendar Weight: 132 gr

Marks: silversmith hallmarks 'Drugov et Co' and '4A' for 4th Artel of Moscow, silver hallmark 'Female head in kokoshnik facing right and 84' (1908 - 1917) Stones: lapis lazuli, rose quartz, garnet, rock crystal, jade, malachite, amethyst, citrine, etc. total weight of silver and stones support: circa 2.118 gr total height 30 cm, height of the crystal vase 21 cm, width circa 40 cm circa 19081917 The silver support was made by the 4th Artel of Moscow (goldsmith's workshop) for Vladimir Drugov who was Carl Fabergé's representative in Kiev and Odessa

each signed ‘Mucha / 98’ lithograph in colours each 55.9 х 34.3 cm (each) with modern frames Produced at the height of Mucha's fame in 1898, this series was printed on vellum in an edition of 1000 copies, with an additional 50 limited edition copies printed on satin.

signed with the artist's cipher and dated ‘1924’ (lower right) oil on panel 60.5 x 35 cm executed in 1924 An apsaras or apsara is a member of a class of celestial beings in Hindu and Buddhist culture. They are originally a type of female spirit of the clouds and waters, who later plays the role of a ‘nymph’ or ‘fairy’.

singed in Cyrillic later 'P Levchenko' (lower left) oil on board 22 x 30.5 cm Provenance: Dr Fischer Kunstauktionen, Russian Art and Icons, 13.11.2014, lot 401 Private collection

signed and titled in Cyrillic, numbered and dated 'N9 Lentulov Crimson Sunset 10' (on the reverse) watercolour and graphite on paper 23 x 34 cm Executed in 1910 Provenance: Collection of Solomon Shuster; Sotheby's London, The Russian Sale, 31 May 2001, lot 113; Private collection; Sotheby's London, The Russian Sale, 06 June 2007, lot 67; Acquired at the above sale by the present owner. Exhibited: ‘Aristarkh Vasilievich Lentulov’, Moscow, 1968 Literature: Exhibition catalogue ‘Aristarkh Lentulov’, Moscow, 1968, p. 44 listed as Bagrovyi zakat, Moskva under works from 1910; M.Lentulova, Khudozhnik Aristarkh Lentulov, Moscow: Sovetskii khudozhnik, 1969, p.136, listed under works from 1910

signed ‘Bakst’ (lower right), inscribed ‘Sheheresade Jane Marnac’ (upper right) watercolour and pencil, heightened with silver paint on paper 45.7 х 32.4 cm

signed 'Ziem' (lower right) oil on canvas 35.6 x 66 cm Literature : Catalogue raisonné by Pierre Miquel, number 405 ⊕ This lot is under temporary importation and is subject to import tax (5.5%) (EU) and administrative customs broker fees.

signed in Cyrillic ‘N Roerich’ (lower right) tempera and ink on paper 31.8 х 18.4 cm Provenance: Collection of the Roerich Museum, New York, 1923- 1935 Collection of Nettie and Louis Horch, from 1935 Shapiro Auctions New York Private collection Literature: Exhibition catalogue ‘The Nicholas Roerich Exhibition’, 1920-21-22, N61 Exhibited: Soyuz, Petrograd, 1910

Signed and dated ‘Alexandre Benois 1919’ (lower left) gouache, watercolour and ink on paper 36 x 64.5 cm executed in the 1920s 'Tsarevich Alexei' was a historical drama based on the novel by Russian Symbolist author Dmitry Merezhkovsky (1865-1941). Benois designed the costumes and décor for the production which was staged in Petrograd at the Bolshoi Drama Theater in 1920.

series of 22 drawings each signed and dated '7-2007 FBBruly' (on the reverse); titled in ballpoint pen (around the margins) coloured pencil, ballpoint pen on paper 17 x 12 cm (each) executed in July, 2007

bronze sculpture on marble base stamped with signature ‘Degas’, bearing stamp ‘A.A.HÉBRARD' (on the top of the base) The present sculpture is a later copy of a cast by A.A.Hebrard H. 32.7, L. 58 cm, base 15 x 15 cm

numbered in pencil 186/250 (lower left). Edition 1970 Le cercle de l'art et Salinas lithograph in colours 64.6 x 49 cm Provenance: Private American collection

signed ‘Mane Katz’ (lower right) oil on canvas 35.5 x 25 cm

signed and numbered ‘Richard Orlinski PU N 1/1’ resin H. 70 cm unique piece Certificate of authenticity signed by the artist from 12/07/2018

signed ‘Leon Zeytline’ (lower right) oil on canvas х cm

oil on cardboard on canvas signed in Cyrillic 'I. Levitan' (lower left); inscribed and signed 'Savvinskaya Sloboda Zvenigorod 1883/Alexei Konstantinovich Korovin/ Paris 1928 23 février' (on the reverse) 27 х 32 cm Provenance: From a collection of Alexei Konstantinovich Korovin (owner's insciption on the reverse)

signed ‘F. Roubaud’ (lower left) oil on canvas 101.5 x 163 cm Literature: ‘Franz Roubaud 1856 - 1928. Catalogue Raisonné - Franz Roubaud. Scientific Catalogue’. Eckart Lingenauber/ Olga Sugrobova-Roth; Ed. Köln. Van Ham Art Publications. 2012, no. 182

signé en cyrillique '...E. Lanceray', cachet de la fonderie (sur la base) bronze, patine brune 40 x 38 x 13 cm

An ormolu and malachite veneered clock. The dial signed 'Leroy & Fils Horloger du Roi' 56 x 35.5 x 16.2 cm

signed and dated ‘Iw.F.Choultse 23’ (lower right) oil on panel 38 x 45.7 cm Executed in 1923

33 pages. Edition of 600 copies. Publisher's typeset cover with vignette. The book is enclosed in a modern cardboard folder with a leather spine.

signed ‘G. Lapchine’ (lower right) oil on canvas 50.8 x 61 cm

Silver dove pendant brooch set with turquoise, a rosecut diamond and two garnets. Dimensions : 6 x 4.5 cm Gross weight : 18 g

Four-light girandoles adorned with rock crystal, amethyst and smoky quartz drops and pendants, resting on a square base supported by a malachite column adorned with laurel garlands. 205 x 33.5 x 33.5 cm

signed and dated ‘Bakst 22’ (lower right) gouache, pencil and gold paint on paper 47 x 29 cm

signed 'G. Westchiloff' (lower right), titled 'Capri' (lower left) oil on canvas 96.5 x 116.5 cm

signed in Cyrillic ‘Bogolubov’ (lower right) oil on canvas 19.5 x 32.5 cm

signed 'Palmov' (lower left) oil on canvas

signed with omega (upper right) oil on canvas

signed 'G Lapchine' (lower left) oil on canvas

signed in Cyrillic ‘LEP. GRACHEV’, mark of the foundry of Carl F. Woerffel ‘Fabr. C.F. Woerffel/ St. Petersburg’(on the base)

AR Rouble, 25.26 g., 12 h. St. Petersburg. Dated 1741. Diakov 7. Bitkin 22. Severin 1377. Uzdenikov 757. In NGC slab graded MS 62, toned. Rare

Alphabetical indices for the years 1907, 1909–1915.

Red mark of the Gardner Porcelain Factory (on the underside) Biscuit, polychrome painting

bronze, patina, casting signed in Cyrillic ‘LEPIL E. LANCERE’ (on the base)

signed 'E. FREMIET' (on the base) Gilt bronze sculpture on a circular red marble base depicting Saint George on horseback defeating the dragon H. 50 cm

signed in plate ‘Picasso’ (center left), numbered in pencil ‘A 186/250’ (lower left), dated in plate ‘6.2.69’ (upper left) lithograph in colours edition A 186/250, publisher Marcel Salinas, printer Harry N. Abrams, New York. 64.8 x 50.3 cm

signed and located 'Kotarbinsky Roma' (lower right) oil on canvas 67 х 43 cm

Platinum ring set with a pear-shaped Fancy Deep Brown-Yellow diamond weighing approximately 8.31 carats, surrounded by round and marquise-shaped diamonds weighing approximately 4.75 cts.

very damaged label

Double chain handle in gilt metal, with card and dust bag. Limited edition

Ladies' wristwatch in 18k yellow gold. Hexagonal case set with diamonds and sapphires. Gilt dial, mute. Signed 'Gerald Genta' and numbered 'G 2440 7 22831' on the reverse.

Trembleuse' brooch in platinum set with old-cut and baguette-cut diamonds weighing approximately 10 ct.

3/Base of neck 1/ high shouder very damaged label

signed and titled 'A Lebourg La Bouille' , label 'Galerie Motte Geneva Paris' (on the stretcher on the reverse) oil on canvas

Yellow gold earrings set with diamonds weighing approximately 9 ct. Hallmark 'Pat. Pend.'

signed 'Jean Gabriel Domergue' (lower right) oil on board

Navy blue pearl embellished jacket with white skirt Extra sleeves

signed with monogram and dated 'LS 23', stamp of the artist's studio watercolour on paper 45 x 30 cm executed in 1923

The handwritten inscription in Cyrillic the upper right: ["Through the dusky evening, the full moon in the bay [illegible] its saffron light on the glassy surface. Maximilian Voloshin.] Monogram and date in the lower right : "MW 9 III 30"; inscribed in Cyrillic in pencil and stamp of the collection of Igor Dichenko (on the reverse) watercolour on paper 18 x 26.5 cm executed in 1930 Provenance: collection of Igor Dichenko (1946-2015), Soviet and Ukrainian collector, art historian, painter, one of the ideologists of the Ukrainian avant-garde, Kiev; Private collection, Europe

8.6 x 13.7 cm In good condition. Minor stains and traces of tape. 'Miloy Vere Vladimirovne, s bol'shoy blagodarnost'yu za chudnye tsvety i dobruyu pamyat. Olga. Tatyana. Mariya. Anastasiya. Krepko Vas tseluyu. Aleksandra.'.

André Sauret - Les Editions du Livre, Monte Carlo, lithographs printed by Mourlot Frères, Paris 10 lithographs signed in pencil 'Bernard Buffet' (lower right), numbered '114/250' (lower left) lithographs on Arches Wove Paper 75 x 54 cm (each), presented in a box edition 114/250 executed in 1970 Certificate (Justification du tirage) signed by the artiste

signed in pencil ‘Picasso’ (lower right) etching on paper with the 'Picasso' watermark 19 x 26 cm (image), 35 x 45 cm (sheet)

In original box with decanter in crystal Baccarat with crystal plug

1/top shoulder 2/damaged label 1/capsule lightly domed by cork

low damaged label, enfonced cork

vintage 2004 circled in red felt pen, plastic film

plastic film

Rectangular 18k yellow gold case decorated with foliage and flowers. Marked 'K18' Dimensions : 7.7 x 5.5 x 1.2 cm Gross weight : 69 g

Ladies' wristwatch in 18k (750) yellow gold, tiger's eye and diamonds Case: heart-shaped, tiger's eye, signed ‘Chopard/ Genève/ Swiss’, no. 400474, D. 32.5 mm Dial: diamond-paved Movement: mechanical bracelet: 18K gold, tiger's eye and diamonds, heart-shaped, articulated and removable wrist size: circa 15.5 cm gross weight: 71.60 gr. circa 19751980 Condition: overall good condition, limited signs of use, light scuffs

size 36, paper, cupro, polyester, nylon labelled Chanel / made in France

Embellished with white fur, silver hardware and silver leather strap. Metal plate 'Christian Dior, limited edition' 24.5 x 22 cm Never worn. With dustbag

porcelain, polychromatic overglaze painting Marks: Mark of the Imperial Porcelain Factory covered by a green circle, hand painted blue overglaze: hammer, sickle, cog, and date – 1920 11 x 30 x 22 cm

Silver Hallmarks: 84 silver standard, woman’s head in kokoshnik facing right, ‘13A’ for 13th Moscow artel, French customs stamp ‘swan’. Height 20.5 cm, Dimension with handle: 28 cm, Diameter 15 cm, weight 1201 gr Provenance: Important private collection, Europe

bronze inscribed ‘Ea Br C F Woerffel / St Petesburg’

signed 'Serge Vinogradoff' (lower right)

signed 'Guercmacheff' (lower right)

signed (lower left)

Composed of a necklace, a bracelet, a pair of earrings and a ring, each in 18k gold, set with calibrated rubies weighting approximately 8 ct., marquise rubies weighting approximately 15 ct., pear rubies weighting approximately 27 ct., oval rubies weighting approximately 5 ct., round brilliants weighting approximately 20 ct. and baguette-cut diamonds weighting approximately 5 ct. necklace – L. approximately 51 cm , weight – approximately 102.8 gr., pendant could be transformed in a brooch bracelet – L. approximately 20 cm, weight – 46.50 gr. earrings – H. approximately 6 cm, weight – 30.39 gr. ring – approximately 15 gr. total gross weight: approximately 195 gr. 18k gold tested by our expert, in a jewellery box

signed, numbered and dated in pencil 'N 8464/ Luther/ 76', label and stamps (on the back)

signed 'A Lebourg' (lower right)

signed and dated 'Calder 69' (lower right); label of the Redfern Gallery (on the reverse) gouache on paper

signed ‘K. Gorbatoff’ (lower right); signed and titled ‘CAPRI/ K. Gorgatoff’ (on the reverse)

signed in Cyrillic ‘G Myasoedov’ (lower right)

silver signed 'Dali 057/330-A.' Foundry marks Foneria Mirbosa, Barcelona.

signed in Cyrillic ‘Yuliy Klever 95’ (lower left)

14K white gold brooch designed as oak leaves and acorns set 2 pear cut diamonds weighing approximately 2 ct.

signed in Cyrillic 'Y Klever (sin)'

Na rossiyskiy yazyk perevedeno 1786 godu Moskovskago namestnichestva Klinskoy okrugi v selce Mikhaleve.

signed in Cyrillic 'Sergey Vinogradov' (lower left)

gold, thumbpiece set with rose-cut diamonds Marks: initials ‘HW’ for Henrik Wigström, Fabergé mark in Cyrillic

Na rossiyskiy yazyk perevedeno v 1787 godu, Moskovskago namestnichestva Klinskoy okrugi v selce Mikhaleve [M.I. Verevkinym] - 4-e izd.

Rectangular black silk clutch bag with semi-circular Art Deco Oriental agate clasp applied recto verso with a stepped gold Moresque crenulated embattlement motif set.

signed and dated 'K Geftler 94' (lower left) monogram of the Emperor' s collection in Cyrillic 'NII N494' (on the reverse)

porcelain, polychromatic overglaze painting

Two period bindings in full leather with gold ornamental embossing on the spine and both covers, endpapers with gold-stamped border, triple gilt edges.

signed, indistinctly inscribed in Cyrillic and dated 'V. Makovskiy 1881 …' (lower left); old stamp (on the reverse)

Inscribed and dated in pencil 'Alexandre Benois 1923/ La Dame aux Camelias/ Act IV/ Le Bal des Olympe/ …..' (on the reverse)

oil on canvas

Blue enamel on silver set with diamonds and surrounded with eight, old cut, rose-cut diamonds Eight diamonds, circa 7cts. The setting is of great finesse, the gold part is finely chased and the silver and diamonds particularly well worked

oil on canvas 60 x 70 cm painted in 1930

signed ‘A. Hanzen’ (lower right) oil on canvas 72 x 103 cm

signed in Cyrillic 'A. Bogolyubov' (lower left) and inscribed 'Veules' (lower right), inscribed in Cyrillic 'To Ivan Alekseevich Novikov from A. Bogolyubov…' (on reverse of the panel) oil on panel

stamped monogram in Cyrillic ‘NG.’ (lower right) watercolour, pencil and gouache on paper 41 x 28.5 cm executed in 1920

signed ‘N. Gontcharova’ (lower right); inscribed in pen: ‘I certify Boris Kniaseff that I bought from my long-time collaborator and dear friend Nathalie Goncharova in Paris in 1942 this watercolour with the theme of the ballet by Diaghileff/ Boris Kniaseff’ (on the reverse) stencil 62.2 x 43 cm circa 1926

Graff necklace made in 18k white gold paved with brilliant-cut diamonds weighing approximately 10.20 ct. and set with a heart-shaped sapphire weighing approximately 10.70 ct.

Hallmarks: silver mark '84' and 'woman's head in kokoshnik facing left', master's mark 'KL', silversmith's mark 'Bolin'

white beluga whale leather, smooth finish, with gilt metal hardware, single rolled handle, flap closure with turn-lock with padlock, keys and dustbag

bicolor rouge casaque and white Epsom leather, silver hardware, white topstitching, single rolled handle, front flap with turn-lock closure with keys, padlock, detachable shoulder strap, and dustbag.

Fabergé ring made in 18k textured yellow gold depicting a fan-shaped pattern adorned with white and pink enamel, set with a demantoid garnet weighing 2.61 ct. and ponctuated with rose-cut diamonds weighing approximately 0.02 ct. Hallmarks : maker’s mark in Cyrillic ‘KF’, ‘56’ gold standard

Art Deco bracelet made in platinum and 18k white gold set with old-cut diamonds weighing approximately 8 ct.

porcelain, polychromatic overglaze painting Mark: underglaze green mark in Cyrillic ‘NII’ [Nicholas II] under a crown and date – 1910, hand painted blue overglaze marks: hammer, sickle, cog, and a year – 1921

historical label 'Le Prince Eugène de Beauharnais/ Vice-Roi d'Italie (Duc de Leuchtenberg après l'Empire)/ (1781-1824)/ peu avant la Campagne de Russie/ D'après le Baron Gérard/ (acheté à Mâcon le 13 avril 1974' (on the reverse of the frame) oil on canvas

Portrait of Joseph Fouché, Duc d'Otrante, in Senatorial dress, wearing the insignia of Grand Eagle of the Legion of Honour and the Order of the Golden Eagle of Württemberg old stamp on canvas (verso) oil on canvas, oval gilded frame decorated with palmettes, stars and laurel wreaths

lithograph on Rives paper signed in pencil and numbered PP 2/3. a printer's proof, aside from the edition of 26. published by International Images, New York. printed by Derriere L'Etoile Studios, New York, the full sheet.

signed in Cyrillic and dated ‘1903 Y Klever’ (lower right), inscribed in German ‘Wald im Spätherbst / J v Klever’ (on the reverse) oil on canvas

depicting Emperor Paul I in profile, commemorating his coronation in 1796,

Porcelain, polychrome overglaze painting, gilding Blue mark ‘The Kornilov Brothers from St. Petersburg’ under the double-headed eagle (on the underside)

signed ‘Elliott Erwitt’ (lower right); signed, titled and dated in pencil ‘Eliott Erwitt/ New York City, 2000’, dedicated (on the reverse) gelatin silver print

Sheet with black frame. In good condition. Minor tears along the edges, traces of folding. A poetic prayer addressed to Saint Teresa, written during the war.

Art Deco style table clock, in jade, mother-of-pearl, enamel and gilded brass, quartz movement

signed 'G Gluckmann' (lower right) oil on panel

Fauve Barenia Leather and Khaki toile, palladium hardware printed canvas ‘Couvertures et Tenues de jour’ and Fauve Barenia leather, with palladium hardware, single rolled handle, front flap with turn-lock closure, and removable strap with gold gilt hardware

signed and dated in pencil ‘David Hockney 75’ and numbered ‘86/200’ (lower left) etching and aquatint in black and red on Rives paper

signed with initials ‘NG’ (lower right); signed and located ‘N. Gontcharova/ 16 rue Jacques-Callot/ Paris 6ème’ (on the reverse) oil on board

Vol. 1. – 4, 174 pp.; Vol. 2. – 184, 8 pp. of advertisements;

60 pages, 56 of which contain text

18k yellow and white gold leaf-shaped drop earrings set with natural fancy yellow square, oval, heart, round-cut diamonds weighing in total approximately 50 ct. (colour: Fancy Yellow G, clarity: VS)